{"id":7418,"date":"2018-03-08T11:29:28","date_gmt":"2018-03-08T11:29:28","guid":{"rendered":"https:\/\/humartech.uma.es\/iarthislab\/?page_id=7418"},"modified":"2022-10-08T13:07:25","modified_gmt":"2022-10-08T13:07:25","slug":"nuria-rodriguez-ortega","status":"publish","type":"page","link":"https:\/\/humartech.uma.es\/iarthislab\/miembros\/nuria-rodriguez-ortega\/","title":{"rendered":"Nuria Rodr\u00edguez Ortega"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lzkdx6-905a4f7faba71f80cea62ca7f899694c\">\n.avia-section.av-lzkdx6-905a4f7faba71f80cea62ca7f899694c{\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/humartech.uma.es\/iarthislab\/wp-content\/uploads\/2018\/03\/pattern-top-400.jpg);\nbackground-position:50% 0%;\nbackground-attachment:fixed;\n}\n.avia-section.av-lzkdx6-905a4f7faba71f80cea62ca7f899694c .av-section-color-overlay{\nopacity:0.1;\nbackground-color:#ffffff;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-lzkdx6-905a4f7faba71f80cea62ca7f899694c main_color avia-section-no-padding avia-no-border-styling  avia-builder-el-0  el_before_av_one_fourth  avia-builder-el-first  avia-bg-style-fixed av-section-color-overlay-active av-minimum-height av-minimum-height-custom av-height-custom  container_wrap sidebar_right'  data-section-bg-repeat='no-repeat' data-av_minimum_height_px='220'><div class=\"av-section-color-overlay-wrap\"><div class=\"av-section-color-overlay\"><\/div><div class='container av-section-cont-open' style='height:220px'><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-7418'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kq5vbu-987930dda58d0ed58b480356b571b61f\">\n#top .av-special-heading.av-kq5vbu-987930dda58d0ed58b480356b571b61f{\npadding-bottom:10px;\ncolor:#a3191f;\n}\nbody .av-special-heading.av-kq5vbu-987930dda58d0ed58b480356b571b61f .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-kq5vbu-987930dda58d0ed58b480356b571b61f .special-heading-inner-border{\nborder-color:#a3191f;\n}\n.av-special-heading.av-kq5vbu-987930dda58d0ed58b480356b571b61f .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-kq5vbu-987930dda58d0ed58b480356b571b61f av-special-heading-h2 custom-color-heading blockquote modern-quote  avia-builder-el-1  avia-builder-el-no-sibling '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Nuria Rodr\u00edguez Ortega<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><\/div><div id='after_section_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-7418'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-iw6m2i-2abbdb9010f4284c0a43e07b58383dd8\">\n.flex_column.av-iw6m2i-2abbdb9010f4284c0a43e07b58383dd8{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-iw6m2i-2abbdb9010f4284c0a43e07b58383dd8 av_one_fourth  avia-builder-el-2  el_after_av_section  el_before_av_three_fourth  avia-builder-el-first  first flex_column_div av-zero-column-padding  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gxntgq-cf861347df4cf3795e5e2333b66d6735\">\n.avia-image-container.av-gxntgq-cf861347df4cf3795e5e2333b66d6735 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-gxntgq-cf861347df4cf3795e5e2333b66d6735 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-gxntgq-cf861347df4cf3795e5e2333b66d6735 av-styling- avia-align-center  avia-builder-el-3  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-9296 avia-img-lazy-loading-not-9296 avia_image ' src=\"https:\/\/humartech.uma.es\/iarthislab\/wp-content\/uploads\/2022\/10\/nrod2m2_recortada-281x300.jpg\" alt='' title='nrod2m2_recortada'  height=\"300\" width=\"281\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/humartech.uma.es\/iarthislab\/wp-content\/uploads\/2022\/10\/nrod2m2_recortada-281x300.jpg 281w, https:\/\/humartech.uma.es\/iarthislab\/wp-content\/uploads\/2022\/10\/nrod2m2_recortada.jpg 364w\" sizes=\"(max-width: 281px) 100vw, 281px\" \/><\/div><\/div><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1k1owa-5e4b12782d8a5ccf18e64c78ef9cf99e\">\n.flex_column.av-1k1owa-5e4b12782d8a5ccf18e64c78ef9cf99e{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-1k1owa-5e4b12782d8a5ccf18e64c78ef9cf99e av_three_fourth  avia-builder-el-4  el_after_av_one_fourth  el_before_av_hr  flex_column_div av-zero-column-padding  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-e5fa22-597b5bd63155e95e258182b477faf510\">\n#top .av-special-heading.av-e5fa22-597b5bd63155e95e258182b477faf510{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-e5fa22-597b5bd63155e95e258182b477faf510 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-e5fa22-597b5bd63155e95e258182b477faf510 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-e5fa22-597b5bd63155e95e258182b477faf510 av-special-heading-h3  avia-builder-el-5  el_before_av_textblock  avia-builder-el-first '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Nuria Rodr\u00edguez Ortega<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-co920q-624fe6385503f422001a86a86450a796 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Puesto de trabajo:<\/strong> Catedr\u00e1tica de Historia del Arte. Directora. Departamento Historia del Arte. Universidad de M\u00e1laga.<br \/>\n<strong>P\u00e1gina web:<\/strong> http:\/\/www.historiadelartemalaga.es<br \/>\n<strong>Correo electr\u00f3nico:<\/strong> nro@uma.es<br \/>\n<strong>Grado o licenciatura:<\/strong> Historia del Arte, Universidad de M\u00e1laga<br \/>\n<strong>Doctorado:<\/strong> Historia del Arte, Universidad de M\u00e1laga<br \/>\n<strong>Direcci\u00f3n de contacto:<\/strong> Departamento de Historia del Arte, Facultad de Filosof\u00eda y Letras, Universidad de M\u00e1laga. Campus de Teatinos. 29071 M\u00e1laga (Espa\u00f1a)<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ahyroq-3ccb7691503691a976b47ce13bcb3db6\">\n#top .av-special-heading.av-ahyroq-3ccb7691503691a976b47ce13bcb3db6{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-ahyroq-3ccb7691503691a976b47ce13bcb3db6 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-ahyroq-3ccb7691503691a976b47ce13bcb3db6 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-ahyroq-3ccb7691503691a976b47ce13bcb3db6 av-special-heading-h4  avia-builder-el-7  el_after_av_textblock  el_before_av_textblock '><h4 class='av-special-heading-tag '  itemprop=\"headline\"  >Curr\u00edculum<\/h4><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-9idouy-eb3f5a802798955d5a0c11f51767c003 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Nuria Rodr\u00edguez Ortega es doctora en Historia del Arte y m\u00e1ster en Ciencias Cognitivas. Posee tambi\u00e9n el t\u00edtulo de Especialista en Humanidades Digitales por la Universidad de Castilla La Mancha. Es catedr\u00e1tica de Historia del Arte y directora del Departamento de Historia del Arte de la Universidad de M\u00e1laga donde dirige iArtHis_Lab, un laboratorio de investigaci\u00f3n, formaci\u00f3n e innovaci\u00f3n centrado en el estudio de la cultura art\u00edstica desde perspectivas digitales, computacionales y tecno-cr\u00edticas.<\/p>\n<p>Es la directora de la C\u00e1tedra Telef\u00f3nica-UMA, presidenta de honor de la Sociedad Internacional de Humanidades Digitales Hisp\u00e1nicas, fundadora y coordinadora de la Red Internacional de Estudios Digitales de la Cultura Art\u00edstica (ReArte.Dix.). Desde 2020, es miembro de n\u00famero de la Academia Europea en la secci\u00f3n de Musicolog\u00eda e Historia del Arte. Desde 2007 hasta 2009 fue la responsable del Departamento de Educaci\u00f3n del Museo del Patrimonio Municipal de M\u00e1laga, y desde 2009 hasta 2013 ejerci\u00f3 como subdirectora.<\/p>\n<p>Sus investigaciones abordan la convergencia entre lenguajes computacionales, medio digital y cultura art\u00edstica, con especial \u00e9nfasis en la aplicaci\u00f3n de anal\u00edtica de datos para el estudio de sistemas culturales complejos, el procesamiento del lenguaje natural para el an\u00e1lisis de textos art\u00edsticos, la configuraci\u00f3n de nuevas epistemolog\u00edas visivo-formales en el \u00e1mbito de la visi\u00f3n por computadora y la exploraci\u00f3n de narrativas alternativas asociadas a las tecnolog\u00edas de realidades mixtas. Tambi\u00e9n investiga de qu\u00e9 modo la inteligencia artificial est\u00e1n reformulando los procesos de categorizaci\u00f3n y ordenaci\u00f3n de los objetos culturales. Asimismo, ha publicado e investigado sobre museolog\u00eda cr\u00edtica y poscr\u00edtica en el contexto de la cultura digital.<\/p>\n<p>Trabaja en el dise\u00f1o de nuevos curr\u00edculos para promover una formaci\u00f3n tecnol\u00f3gica, un pensamiento tecno-cr\u00edtico y una visi\u00f3n transdisciplinar. En este sentido, coordina TransUMA, laboratorio de competencias transdisciplinares de la Universidad de M\u00e1laga y la Red Docente de Excelencia TransUMA-Tech. Desde 2016, es la directora acad\u00e9mica del curso de verano Digital Art History: Data-Driven Analysis and Digital Narratives, una iniciativa conjunta de la Universidad de M\u00e1laga, la Universidad de Berkeley y la Universidad Ludwig-Maximilian de M\u00fanich.<\/p>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-856ffe-7f3c6e9ce1da418f6ebffafcd2f57881\">\n#top .hr.hr-invisible.av-856ffe-7f3c6e9ce1da418f6ebffafcd2f57881{\nheight:50px;\n}\n<\/style>\n<div  class='hr av-856ffe-7f3c6e9ce1da418f6ebffafcd2f57881 hr-invisible  avia-builder-el-9  el_after_av_textblock  el_before_av_textblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<section  class='av_textblock_section av-l8zxl7mi-924e1f39c393c058695b874176453d73 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>L\u00edneas de investigaci\u00f3n:\u00a0<\/strong><\/p>\n<p>Estudios cr\u00edticos sobre textolog\u00eda, construcciones narrativas, relatos y terminolog\u00edas en el campo del pensamiento te\u00f3rico sobre las artes y la historiograf\u00eda art\u00edstica.<\/p>\n<p>Modelados, an\u00e1lisis e interpretaci\u00f3n de sistemas culturales complejos<\/p>\n<p>Humanidades Digitales e Historia del Arte Digital: estudios cr\u00edticos sobre culturas,\u00a0 pr\u00e1cticas digitales, desarrollos computacionales y nuevos metodolog\u00edas de an\u00e1lisis en el \u00e1mbito de la Historia del Arte y la cultura art\u00edstica en general<\/p>\n<p>Protocolos, metodolog\u00edas y procedimientos de gesti\u00f3n y desarrollo de proyectos digitales en el \u00e1mbito cultural<\/p>\n<p>Museolog\u00eda cr\u00edtica en el contexto de la cultura digital<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-5bjy6i-117b70229043d3d38c03d9ef1eebac04\">\n#top 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class=\"hr-inner-style\"><\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":7250,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/pages\/7418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/comments?post=7418"}],"version-history":[{"count":0,"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/pages\/7418\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/pages\/7250"}],"wp:attachment":[{"href":"https:\/\/humartech.uma.es\/iarthislab\/wp-json\/wp\/v2\/media?parent=7418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}